|
|
| Riga 14: |
Riga 14: |
| | == OPERE == | | == OPERE == |
| | | | |
| − | 2003
| + | 3 Poesie |
| | + | 1)Cobalto Blu |
| | + | 2)Rosa D'ore |
| | + | 3)E'com a dor |
| | | | |
| | + | 3 Racconti brevi |
| | + | 1)Zeline |
| | + | 2)Terra di Siena bruciata |
| | | | |
| − | British Tate Museumâs Online gallery (November)
| |
| − |
| |
| − | The Centre For Contemporary Photography, Melbourne, Australia
| |
| − |
| |
| − | Whitney Museum of American Art 17e Rencontres Vidéo Art Plastique, Centre dâArt Contemporain de Basse-Normandie
| |
| − |
| |
| − | Third Text: images + media, the City University of Hong Kong/ the Hong Kong Film
| |
| − | Archives, Hong Kong
| |
| − |
| |
| − | the Electronic Language International Festival, Cultural Institution and Museum OEPaço
| |
| − | das Artes, São Paulo, Brazil
| |
| − |
| |
| − | Art of the Encyclopedic, Carnegie Art Center, Buffalo, NY
| |
| − |
| |
| − | Transmediale.03-Lounge, Berlin, Germany
| |
| − |
| |
| − | Animations, KunstWerke, Berlin, Germany
| |
| − |
| |
| − |
| |
| − | 2002
| |
| − |
| |
| − |
| |
| − | Net.narrative, SF Camerawork, San Francisco, CA
| |
| − |
| |
| − | Second International Art Biennial, National Museum of Fine Arts, Buenos Aires
| |
| − |
| |
| − | Begin Game, Leon, Spain
| |
| − |
| |
| − | Game Room, Villette Numérique, La Villette, Paris
| |
| − |
| |
| − | In Vitro / In Vivo, Art for Human Rights Festival, National Hellenic Research
| |
| − |
| |
| − | Foundation, Athens, Greece
| |
| − |
| |
| − | Gamer Lounge, Edith Russ Site for Media Art, Oldenburg
| |
| − |
| |
| − | Metapet Launch, Museum of Contemporary Art, Pacific Design Center, LA
| |
| − |
| |
| − | Fetish: Human Fantastic, the Borusan Art Gallery Istanbul, Turkey
| |
| − |
| |
| − | Metapet Sneak Preview, presented by Creative Time, Remote Lounge, NYC
| |
| − |
| |
| − | Hypertekst, Mobile exhibition, Flemish-Brabant, Belgium
| |
| − |
| |
| − | Out of True, The University Art Museum, Santa Barbara, CA
| |
| − |
| |
| − |
| |
| − | 2001
| |
| − |
| |
| − |
| |
| − | The Cultural Space, Center of Photography, Santa Cruz de Tererife, Spain
| |
| − |
| |
| − | seARchT Engines: di(sin)formation, Video Festival of Pamplona, Spain
| |
| − |
| |
| − | Art Futura, Center for Contemporary Culture, Barcelona, Spain
| |
| − |
| |
| − | Mediarama 2001, Andalusian Center for Contemporary Art, Seville, Spain
| |
| − |
| |
| − | Animations, P.S.1 Contemporary Art Center, Long Island City, NY
| |
| − |
| |
| − | Link_Age, Video Brazil Festival, Sao Paulo, Brazil
| |
| − |
| |
| − | Game Show, MASS MoCA, North Adams, Massachusetts
| |
| − |
| |
| − | Double Life, Generali Foundation, Vienna, Austria
| |
| − |
| |
| − | The e-Media Gallery, Centre for Contemporary Photography, Melbourne, Australia
| |
| − |
| |
| − | [[Short Stories]], Fabbrica del Vapore, Milan, Italy
| |
| − |
| |
| − | The Altoids Curiously Strong Collection, The New Museum, NY
| |
| − |
| |
| − | Installation, La Compagnie, Marseille, France
| |
| − |
| |
| − | Inter media Exhibition, The Univ. Art Gallery, Univ. of Denver Central Michigan Univ.
| |
| − |
| |
| − | Ovni Convocatoria, Tenerife, Spain
| |
| − |
| |
| − |
| |
| − | 2000
| |
| − |
| |
| − |
| |
| − | Video Festival, Navarra, Spain
| |
| − |
| |
| − | Dystopia + Identity in the Age of Global Communications, Tribes Gallery, NYC
| |
| − |
| |
| − | Interferences Festival, Belfort, France
| |
| − |
| |
| − | Paradise Now, Exit Art, New York City
| |
| − |
| |
| − | traveling to University of Michigan Museum of Art,
| |
| − | The Tang Teaching Museum
| |
| − | Art Gallery at Skidmore College
| |
| − | Carnegie Mellon
| |
| − | Tulane University
| |
| − |
| |
| − | Liquid hacking Workshop, Kunstverein Nuernberg, Germany
| |
| − |
| |
| − | Over_Game, the Netherlands Media Art Institute, The Netherlands
| |
| − |
| |
| − | Constant-Verbindinger-jonctions 4, Brussels, Belgium
| |
| − |
| |
| − | New Media Space, Brussels 2000,Belgium
| |
| − |
| |
| − | Tenacity, Shedhalle, Zurich, Switzerland
| |
| − |
| |
| − | University Art Gallery, Johannesburg, South Africa
| |
| − |
| |
| − | Freestyle Festival, Terrassa, Spain
| |
| − |
| |
| − | Beachwood Center for the Arts, Beachwood, Ohio
| |
| − |
| |
| − | Fylkingen, Stockholm, Sweden
| |
| − |
| |
| − | <img src> Williamson Gallery, Pasadena Art Center, California
| |
| − |
| |
| − | Feedback, Union Gallery, State University of New York, Stony Brook
| |
| − |
| |
| − | Shift-Ctrl: Computers, Games and Art, Center for Art and Technology, UC, Irvine
| |
| − |
| |
| − | Art Entertainment Network, Walker Arts Center, Minneapolis, MN
| |
| − |
| |
| − | Whitney Biennial (with ®â¢ark), Whitney Museum of American Art, New York City
| |
| − |
| |
| − |
| |
| − | 1999
| |
| − |
| |
| − |
| |
| − | Game Show, Bellevue Art Museum, Bellevue, Washington
| |
| − |
| |
| − | Viper, International Film, Video and New Media Festival, Luzerne, Switzerland
| |
| − |
| |
| − | The Self, Absorbed, Bellevue Art Museum, Bellevue, Washington
| |
| − |
| |
| − | [[Come into my Millennium]], Melbourne International Film Festival, Australia
| |
| − |
| |
| − | Cracking the Maze, SJSU, CADRE Center http://switch.sjsu.edu
| |
| − |
| |
| − | Net_Condition, ZKM Center for Art and Media, Karlsruhe Germany
| |
| − |
| |
| − | The Altoids Curiously Strong Collection, traveling to:
| |
| − | Clementine Gallery, New York City
| |
| − | Centre Gallery, Miami-Dade Community College, Miami Florida
| |
| − | insideArt, Chicago, Illinois
| |
| − | Robert Berman Gallery, Santa Monica, California
| |
| − | San Francisco Art Institute
| |
| − |
| |
| − | 2nd International Show of Art in CD-ROM, Media Centre of Art & Design, Barcelona
| |
| − |
| |
| − | Amour-horreur, La Centrale, Montrèal, Canada
| |
| − |
| |
| − | Contact Zones, Cornell University, New York traveling to:
| |
| − | Hobarth and William Smith College, Geneva, New York
| |
| − | National Gallery of Photography and Multimedia, Mexico City, Mexico
| |
| − | Robertson Media Center, University of Virginia, Charlottesville.
| |
| − | Nickle Arts Museum, the University of Calgary
| |
| − | Leonardo Electronic Almanac Gallery, http://mitpress.mit.edu/LEA
| |
| − |
| |
| − | Digital Documentary: The Need to Know and the Urge to Show, p_Arts, MN
| |
| − |
| |
| − |
| |
| − | 1998
| |
| − |
| |
| − |
| |
| − | Pandæmonium 1998, London England
| |
| − |
| |
| − | Ars Interruptus, Video Festival, Pamplona, Spain
| |
| − |
| |
| − | SEAFair 98, Center for Computer Arts & Soros Center for Contemporary Arts, Skopje,
| |
| − | Macedonia
| |
| − |
| |
| − | Ave.Com, Art for the Computer, Arnheim, The Netherlands
| |
| − |
| |
| − | European Media Art Festival, Osnabrück, Germany
| |
| − |
| |
| − | Beyond Interface, Walker Art Center,
| |
| − | http://www.yproductions.com/beyondinterface/
| |
| − |
| |
| − | Lovebytes Digital Arts Festival, Sheffield England
| |
| − |
| |
| − | Viper, International Film, Video and Multimedia Festival, Luzerne, Switzerland
| |
| − |
| |
| − | Vidéoformes, Video et arts électroniques, Clermont-Ferrand Cedex, France
| |
| − |
| |
| − |
| |
| − | 1997
| |
| − |
| |
| − |
| |
| − | Ciber@RT III, Valencia, Spain
| |
| − |
| |
| − | Installation, ISEA 97, Chicago, Illinois
| |
| − |
| |
| − | Re-Inventing the Box, Betty Rymer Gallery, School of the Art Institute of Chicago
| |
| − |
| |
| − | Art at the Anchorage, Brooklyn Bridge Anchorage, Creative Time, Brooklyn, NY
| |
| − |
| |
| − | Signs for Rottweil, Kunst Forum, Rottweil, Germany
| |
| − |
| |
| − | Gramercy International Art Fair, Gramercy Park Hotel, New York City
| |
| − |
| |
| − | The Electronic Muse, University State Museum, Washington State University
| |
| − | Magazine, Spot Gallery, New York City
| |
| − |
| |
| − | Limn Gallery, San Francisco, California
| |
| − |
| |
| − | Techno Seduction, Cooper Union, New York City
| |
| − |
| |
| − | Postmasters Digital Projects, Postmasters Gallery, New York City
| |
| − |
| |
| − |
| |
| − | 1996
| |
| − |
| |
| − |
| |
| − | New York Digital Salon, Visual Arts Museum, New York City
| |
| − |
| |
| − | Postmasters Gallery, New York City
| |
| − |
| |
| − | The New York International Video and New Media Festival, New York City
| |
| − |
| |
| − | The Bridge, Siggraph 96 Art Show, Contemporary Arts Center, New Orleans, LA
| |
| − |
| |
| − |
| |
| − | 1995
| |
| − |
| |
| − |
| |
| − | Photography after Photography, Aktionsforum Praterinsel, Munich, Germany traveling to:
| |
| − | Kunsthalle, Krems, Austria
| |
| − | Stadtische Galerie, Erlangen, Bavaria, Germany
| |
| − | Branderburgische Kunstsammlungen, Cottbus, Germany
| |
| − | Museet for Fotokunst, Odense, Denmark
| |
| − | Fotomuseum, Winter, Switzerland
| |
| − | Finnish Museum of Photography, Finland
| |
| − | Institute of Contemporary Art, Philadelphia
| |
| − | Adelaide Festival, Australia
| |
| − |
| |
| − | Faculty Exhibition, Syracuse University, Syracuse, NY
| |
| − |
| |
| − | Conceptual Textiles, John Michael Kohler Arts Center, Sheboygan, Wisconsin
| |
| − | Installation, Southern Exposure Gallery, San Francisco, California
| |
| − |
| |
| − |
| |
| − | 1994
| |
| − |
| |
| − |
| |
| − | [[From Head to Toe]], Longwood Arts Gallery, Bronx, New York
| |
| − |
| |
| − | Visual Arts Faculty Biennial, University of Maryland Baltimore County
| |
| − |
| |
| − | Maryland on View, Maryland Art Place, Baltimore, Maryland
| |
| − |
| |
| − |
| |
| − | 1993
| |
| − |
| |
| − |
| |
| − | Installation, School 33 Art Space, Baltimore, Maryland
| |
| − |
| |
| − |
| |
| − | 1992
| |
| − |
| |
| − |
| |
| − | Visual Arts Faculty Biennial, University of Maryland Baltimore County
| |
| − |
| |
| − | Open Studios, Whitney Museum Independent Study Program, New York
| |
| − |
| |
| − | Drawing New Conclusions, Betty Rymer Gallery, School of the Art Institute of Chicago
| |
| − |
| |
| − | Artists Space Benefit, Artists Space, New York
| |
| − |
| |
| − | Malibu: Myth and Reality, Bess Cutler Gallery, Santa Monica, California
| |
| − |
| |
| − | Speak, Randolph Street Gallery, Chicago, Illinois
| |
| − |
| |
| − |
| |
| − | 1991
| |
| − |
| |
| − |
| |
| − | Warp and Woof, Comfort and Dissent, Artists Space, New York
| |
| − |
| |
| − | Comfort, Christopher Grimes Gallery, Santa Monica, California
| |
| − |
| |
| − | Playing House, One Person Exhibition, Franklin Furnace, New York
| |
| − |
| |
| − |
| |
| − | 1990
| |
| − |
| |
| − |
| |
| − | Gigantic Women, Miniature Work, Gallery 2, School of the Art Institute of Chicago
| |
| − |
| |
| − |
| |
| − | 1989
| |
| − |
| |
| − |
| |
| − | Gallery 2, School of the Art Institute of Chicago
| |
| − |
| |
| − |
| |
| − | 1988
| |
| − |
| |
| − |
| |
| − | Photography as Unfaithful Witness, NAME Gallery, Chicago, Illinois
| |
| − |
| |
| − |
| |
| − | 1986
| |
| − |
| |
| − |
| |
| − | Small Works Show, BACA Downtown, Brooklyn, New York
| |
| | | | |
| | | | |
Nasce a Firenze il 07/05/1955 da una modesta famiglia, segue per forza gli studi presso un'istituto di grafica pubblicitaria e che finisce malamente. poi si iscrive all'Accademia di Belle arti di Firenze, ma abbandona dopo due anni perchè non accettta che una cosa splendida e scapestrata come la pittura fosse trattata in modo così tedioso, sipponente, pedestre e burocratico da individui privi di talento e fantasia. Dagli anni 70 lavora presso varie agenzie pubblicitarie sia in Firenze , Bologna, Milano. Dopo a morte del padre fa molti lavori mortificanti pur di poter continuare nella sua ricerca artistica e nello studio dell'arte. Alla fine del 1999 si diploma al liceo artistico di Firenze. Nel 2001 si riscrive all'Accademia di Belle Arti di Firenze dove frequenta la cattedra di decorazione, scultura, pittura laureandosi. Nel 2008 vince il Master presso l'Accademia di Belle Arti di SANPIETROBURGO. Nel 1990 incomincia la sua esperienza di poeta e scultore, pubblicando cinque libri tra poesia e piccoli racconti brevi. Nel 2011 dopo vari anni di ripensamenti scrive "Il Manifesto Radicale" frutto del suo pensiero e convincimenti dell'attuale mondo dell'arte. Divulgando "Il Manifesto Radicale" presso i più importanti musei mondiali. Importanti per la sua formazione d'artista la breve amicizia e frequentazione con Primo Conti, Leonardo Cremonini e Alberto Moretti. Mentre basilaria per la sua vita umana e didattica l'amicizia e frequentazione con Mario Mariottti e Silvia Loffredo , che lo colmeranno di suggerimenti per la sua formazione e profondo tormento esistenziale molto esplicito sino all'inizio degli anni 70. Un tormento che si esprime nell'ateismo esistenziale espresso nel suo modo di vivere una volta negato Dio, vede un mondo in ogni parte di esso e può sentirsi felice per il solo fatto di lottare contro Dio padrone; il nichilsmo è già vinto anche se la sofferenza e l'ingiustizia continueranno a imperversare.
Andrea Cioni nato a Firenze in data 07-05-1955. E' grafico pubblicitario, decoratore, pittore, scultore. Per molti ritengono MONO difficilmente catalogabile in una corrente artistica definita, è immutabile che egli tragga gli spunti per la sua arte dai turbamenti esistenziali della società attuale, ed è in base a ciò che egli merita di essere considerato il padre del manifesto del silenzio radicale. Il suo lavoro è sempre teso allo studio dei turbamenti dell'animo umano di fronte all'esistenza. L'unico scopo del vivere e dell'agire per MONO pare esprimersi diletticamente fuori dell'intimità esperenziale, nel combattere nel sociale le ingiustizie, oltre che le espressioni di poca umanità.
