Aceti Lanfranco: differenze tra le versioni

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'''Mostre'''
 
'''Mostre'''

Revisione 16:08, 14 Dic 2009

foto Lanfranco Aceti



Aceti Lanfranco

Lanfranco Aceti lavora come accademico, artista e curatore. È professore associato in Arte Contemporanea e Cultura Digitale alla Sabanci University di Istanbul.

Biografia

Lanfranco Aceti lavora come accademico, artista e curatore. È professore associato in Arte Contemporanea e Cultura Digitale alla Sabanci University di Istanbul. La sua ricerca interdisciplinare si concentra sull'intersezione delle arti digitali, culture visuali e tecnologie dei nuovi media. È specializzato nella traduzione intersemiotica tra media classici e nuovi media, processi contemporanei di ibridazione digitale, l'avanguardia storica e contemporanea, e le applicazioni di nuovi media nel campo dell'arte contemporanea. È anche un Honorary Lecturer al dipartimento di Informatica, Ambienti di Realtà Virtuale a UCL. È stato infine Honorary Research Fellow alla Slade School of Fine Art e ha anche lavorato come ricercatore post-dottorato, sponsorizzato dall'AHRC a Birkbeck College, Università di Londra e come Visiting Research Fellow al Victoria and Albert Museum.

Sito web

http://www.lanfrancoaceti.com

Poetica

Lanfranco Aceti è un artista che lavora nel campo dell'arte contemporanea, il suo obiettivo è quello di sfruttare le possibilità offerte dal digitale per attivare una rivisitazione di settori tradizionali come la pittura, la scultura e il cinema. Anche se questo tipo d'impegno può risultare complesso, è comunque necessario per rivedere in maniera critica il tradizionale, al fine di giustificare un nuovo approccio estetico. Il suo impegno artistico si concentra sull'esplorazione delle possibilità offerte dai processi di digitalizzazione di settori come il disegno, la pittura, la scultura, l'installazione e il cinema, attraversando varie discipline, dall'antropologia alla filosofia, dalla scienza informatica alla biologia. La sua scelta artistica come artista visivo e teorico culturale è quella di promuovere l'integrazione di discipline con l'attualità, senza guardare al passato come il tempo dell'oro, ma come un momento di una continua trasformazione che rappresenta e documenta attraverso i nuovi media l'itinerario di un viaggio personale e artistico.

Opere

Mostre

  • Un elenco di eventi significativi:

Bibliografia

  • Libri
  • Aceti, Lanfranco, The Precarious State of Italian Film: Between Nostalgia and Aesthetic Failures, Italian Film Directors in the New Millennium, Hope, William (ed.), Cambridge: Cambridge Scholars Publishing (forthcoming)
  • Pubblicazioni
  • Lanfranco Aceti, Instantaneously Mediated Virtual Visions: The Transmedia Circuit of Images, Body and Meanings, ISEA 2008 (International Symposium on Electronic Art), Singapore, 25 July-3 August 2008.
  • Lanfranco Aceti, The Precarious State of Italian Film: Between Nostalgia and Aesthetic Failures, New Authors/Auteurs: into the New Millennium, University of Salford, UK, 27-29 June 2008.
  • Lanfranco Aceti, Migration, Reception and Return: Sicily between Provincialism and Globalization, (panel chair) Conference of The American Association of Italian Studies: Alla Scoperta della Sicilia/Discovering Sicily, Giardini Naxos, Italy, 22-24 May 2008.
  • Lanfranco Aceti, Freedom: Verga’s Relationship with Alternative Forms of Representation, Intercontextualization and Recontextualization, Society for Italian Studies Interim Conference, Transmissions and Transformations of Italian Culture, Institute of Germanic & Romance * * Studies, University of London, 25-26 April 2008.
  • Lanfranco Aceti, Degenerate Art Degenerate Religion: Language of Distortion and Language of Oppression, MP: An Online Feminist Journal, issue 1, no. 2, Jan. 2008, Rutgers University.
  • Lanfranco Aceti, Rational and Irrational Fears in the Age of Religious Fundamentalism, Esse arts + opinions, Fear II, issue no. 62, Winter, 2008.
  • Lanfranco Aceti, I Am Sorry: The Exhibition Has Been Censored by the Artist, NEME, 10 Dec. 2007.
  • Lanfranco Aceti, Compressions and Expressions: Digital Arts Beyond Destruction, Space and Time, Elnution Magazine no 5, MIT Leonardo Section, 10 Dec. 2007.
  • Lanfranco Aceti, Is Islam the Crux of Europe? Faith, Culture and the Honorable Killing of Secularism?, KCTOS: Knowledge, Creativity and Transformations of Societies Conference, Institut für Kultur- und Sozialanthropologie; Universität Wien, Vienna, Austria, 6-9 Dec. 2006.
  • Lanfranco Aceti, Networked Art: Displaced Commentaries, Multiple Artifices and Many Authors?, (panel chair) MiT5 Media in Transition: Creativity, Ownership and Collaboration in the Digital Age, Massachusetts Institute of Technology, Cambridge, USA, 27-29 April 2007.
  • Lanfranco Aceti, Television Aesthetics: An Old Medium and a Thousand New Screens, The Screen Conference, Glasgow University, Scotland, 30 June-2 July 2006.
  • Lanfranco Aceti, Without Measure, Without Excess: My Art Is the Scream – My Art Is the Silence, The Happy Choice: Measure or Excess, 11th Annual Conference of The International Society of Phenomenology, Fine Arts and Aesthetics, Harvard University, Cambridge, USA, 26-27 May 2006.
  • Lanfranco Aceti, Imaged Cities: War Times and Spaces of Peace, Art and the City Conference, Universiteit van Amsterdam, Institute of Culture and History, Amsterdam, 11-12 May 2006.
  • Lanfranco Aceti, The Im-/possible Visions of Im-/signs: Pasolini, Deleuze and the Cinematic Chaos, Engaging the im-/possible? An International Inter-disciplinary Conference, Central Saint Martins College of Art and Design, London, 27 Oct. 2005.
  • Lanfranco Aceti, John Francescutti and Andrea Brogni, Realities And Virtualities: The Networking Of Viewers, Information And Spaces, Atti del Museo Civico di Storia Naturale - XV Congresso Associazione Nazionale Musei Scientifici - Museo Oggi, tra Reale e Virtuale, Museo Civico di Storia Naturale di Trieste, 2005, 51 (suppl.), 15-18.
  • Lanfranco Aceti, Intermedia Narratives: European Cinema Militans, (panel chair) MiT4 Media In Transition: The Work of Stories, Massachusetts Institute of Technology, Cambridge, USA, 6-8 May 2005.
  • Lanfranco Aceti, Film Vision: Cinema and the Brain, New Physio-ideological Interactions, Cinema and Technology International Conference, Lancaster University, UK, 6-9 April 2005.
  • Lanfranco Aceti, Avatars and Virtual Environments, E-merge 04, research seminar series on digital narrative, Thames Valley University, London, 22 Jan. 2005.
  • Lanfranco Aceti, The Hyperreality of Global Democracy and the Reality of a Void and Illusionary Enslavement, Bad Subjects, issue no. 69, June 2004.
  • Lanfranco Aceti, Selling Out Digital Identities, Ciber@rt Bilbao 2004, Challenges for a Ubiquitous Identity. Presented the video piece 45minuets: dancing the whitewash waltz at the International Festival of New Technologies, Art + Communication, Bilbao, Spain, 23-30 April 2004.
  • Lanfranco Aceti, Digital Workspace + Digital Creativity = Digital Identity, Pixel Raiders2, Sheffield University, UK, 5-8 April 2004.
  • Lanfranco Aceti, Prosthesis’ Digital Aesthetic: The Integrated Technology of Human Extensions, Transvision 2003, The Adaptable Human Body: Transhumanism and Bioethics in the 21st Century, Luce Hall, Yale University, USA, 27-29 June 2003
  • Lanfranco Aceti, Digital Horror: Is It Real?, Genocide and the World Community: Accountability, Consequences & Prevention, The Fifth Biennial Conference of The International Association of Genocide Scholars, Irish Human Rights Centre, Galway, Ireland, 7-10 June 2003.
  • Lanfranco Aceti, Arts In A Box: The Cyber-Electronic-Multimedia-Digital Process. Conference Inscriptions In The Sand: an arts and culture conference and festival, Eastern Mediterranean University, Cyprus, June 2003.
  • Lanfranco Aceti, The Aesthetic of True Digital Illusions: Crossing Several Roads at the Same Time. ISPAFA Conference ‘Beauty, Truth and Goodness: Aesthetics at the Crossroad’, Harvard Divinity School, Cambridge, USA,16-18 May 2003. Published in Human Creation Between Reality and Illusion, series Analecta Husserliana, Vol. 87, Tymieniecka, A-T. (Ed.), 2005.
  • Lanfranco Aceti, Interactive Integrated Media: in the ‘Agon’ of Convergence, MiT3 Media in Transition: Television in Transition, Massachusetts Institute of Technology, Cambridge, USA, 2-4 May 2003.
  • Lanfranco Aceti, …land[e]scapes in the Digital Mind: New York, Chicago, Los Angeles: the Digital Film of Virtual Space, Culture and Representations II, School of American and Canadian Studies, University of Nottingham, UK, 4-5 Apr. 2003.
  • Lanfranco Aceti, Interactive Integrated Media: Entertainment Formats in the 21st Century, seminar at Imperial College, Intelligent Interactive Systems, Department of Electrical and Electronic Engineering, London, 26 Mar. 2003.
  • Lanfranco Aceti, Philosophical Computer Codification as Art Form, research symposium: Encoding Contemporary Art, New Media, Social Context and Aesthetic, Central Saint Martins College of Art and Design, London, 13-14 Feb. 2003.
  • Lanfranco Aceti, Getting Laid on the Procrustean Bed: Art Practice in the Digital World, One Man Versus One Pixel, ‘CHArt Conference; Digital Art History?’ British Academy and the Courtauld Institute of Art, London, 14-15 Nov. 2002. Published in Digital Art History? - Exploring Practice in a Networked Society, eds. A. Bentkowska and T. Cashen, CHArt Online Conference Proceedings, vol. 5, November 2003.
  • Lanfranco Aceti, Forma Locutionis in a Digital Eco-Space, Creativity, Culture and Environment, University of Leeds, UK, 6-8 Sept. 2002.
  • Interviste
  • Curating Mutability: In The Flux of Artistic Context, /seconds issue no. 8, interview by John Francescutti, 7 July 2008.
  • FRAMED: From Virtual to Real, the Aesthetic Conditioning of the Viewer, /seconds issue no. 6, interview by John Francescutti, 6 July 2007.
  • Real and Virtual: Curatorial Practices and Artistic Aesthetics, in Sabine Hochrieser, Michael Kargl and Franz Thalmair, eds., Circulating Contexts: CURATING MEDIA/NET/ART (Norderstedt: 2007), interview by John Francescutti.
  • Uncompromising Hostility: An Interview with Lanfranco Aceti, Afterimage, 2006 issue no. 34, 1-2, pp. 48-51, interview by Gulsen Bal.
  • Interactive Integrated Media, Sanatdünyamiz issue no. 96, 2005: 146-159,
  • interview by Gulsen Bal.
  • Articoli
  • Aceti Lanfranco, The Disappearance of signs in a landscape of deceptions, NeMe (forthcoming)
  • Aceti Lanfranco, A web of pixelated textures and intricate behaviors Rèel-virtuel (forthcoming) (AHCI)
  • Aceti Lanfranco, Culturally transplanted and displaced: the geographies of re-production of space and identity, Performance Research (forthcoming) (AHCI)
  • Aceti Lanfranco, What is the only legacy of new media is a static image? The Curatorial struggle in preserving new media's aesthetics and art practices. Collections: A journal for Museum and Archives Professionals (forthcoming) (AHCI)
  • Aceti Lanfranco, The war shaped identities: destruction as cultural inheritance, Ekaterinburg, October 18, 2008.
  • Aceti Lanfranco, Whitout visible scars: digital art and the memory of war. Leonardo, Vol. 42, No.1, February 2009, 16-26 (AHCI)
  • Aceti Lanfranco, Without Visible Scars: Digital Art and the Memory of War, Leonardo, Vol. 42, No. 1, pp. 16–26, 2009.
  • Pubblicazioni di Conferenze
  • Aceti Lanfranco, The normalization of the cyborg: from futuristic artistic expression of mutilation to daily aesthetic beuty, ISEA 2009, Belfast, United Kingdom: University of Ulster 2009.
  • Pubblicazioni Speciali
  • Aceti Lanfranco, Gernalzick and Nadja, the integral part: Proposal for a reconsideration of an aristotelian concept for contemporary typologies of transmedia change of the narrative message, olms verlag, series passagen/passages: Transdsziplinar Kulturperspektiven/Transdisciplinary cultural perspectives

Webliografia

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