Schneider Ira: differenze tra le versioni

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Riga 84: Riga 84:
  
 
*The Two Woodstock Festivals of 1994, 2003
 
*The Two Woodstock Festivals of 1994, 2003
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'''Video's:'''
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The Altimont Festival (1969)
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 +
Bigelows Luncheonette Closes Forever (1985) 15 min
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Bits, Chunks & Pieces (1975) 54 min
 +
 +
Bucky Fuller (with Frank Gillette) (1970) 60 min
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A Day at Copacabana Beach (1988) 12 min
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 +
Echo (1976) 15 min also installation
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 +
The 11th Greenwich Village Halloween Parade (1984) 6 min
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 +
The Fourth of July in Saugerties (with Beryl Korot) (1973) 16:20 min
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Greta (1988) 6 min
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Interview With Buckminster Fuller (1970) 33:49 min
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 +
Manhattan is an Island (composite tape) (1974) 47:14 min also installation
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A Media Primer (1970) 23:07 min
 +
 +
More or Less Related Incidents in Recent History (1976) 41 min
 +
 +
Public Access Catalog (1972) 30 min
 +
 +
Random Interlace, Content Electronics (1970) installation
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 +
Several Minutes of Several Days in the Hamptons (1977) 14 min
 +
 +
Some Scenes in Southern California (1978) 14 min
 +
 +
Time Zones (1980) installation
 +
 +
Time Zones: Documentation of an Installation (1980) 33:40 min
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 +
TV as a Creative Medium (1984) 12:08 min
 +
 +
Video Access Catalog (1971) 30 min
 +
 +
Video '75 (1975) installation
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 +
A Weekend at the Beach (1983) 7 min
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 +
Wipe Cycle (with Frank Gillette) (1969) 60 min installation
 +
 +
The Woodstock Festival (1969)
 +
 +
World Trade Center (1989) 30 sec
 +
 +
Yucatan Previews (with Beryl Korot) (1973) 17 min
  
  

Revisione 19:30, 13 Gen 2007

Personaggio

Schneider Ira

http://www.nicht-wegsehen.de/ira_schneider/grafik/ira_planet_golf.jpg

Ira Schneider was a pioneer of video in the late 1960s and early 1970s. In his work with video installation and single-channel tapes, he explored the manipulation of time, interactivity and simultaneity as formal and conceptual devices. A participant in the landmark exhibition TV as a Creative Medium at the Howard Wise Gallery in 1969, he created several important early multi-channel video installations, including Manhattan is an Island and, with Frank Gillette, Wipe Cycle. Schneider was a founding member of the Raindance Foundation and a co-publisher of the seminal video journal Radical Software. In 1976, he and Beryl Korot co-edited Video Art: An Anthology, one of the first and most important anthologies of critical writing in the early years of the alternative video movement.

Schneider was born in 1939. He received an A.B. from Brown University and an M.A. in psychology from the University of Wisconsin, Madison. His numerous awards include grants and fellowships from the New York State Council on the Arts, the National Endowment for the Arts, and the Guggenheim Foundation. He has taught at the University of California, San Diego; The American Center, Paris; and Cooper Union. He lives in Berlin.

Biografia

Schneider Ira nasce nel 1939 a New York (USA); studia Arte alla Brown University, Providence; studia Psicologia all’Università del Wisconsin, Madison; e per un anno intermedio studia storia dell' arte e letteratura a Monaco di Baviera (Germania); pioniere del video a fine anni Sessanta inizio anni Settanta, nel 1969 realizza i suoi primi lavori con video appunto; è co-fondatore, membro e capo-redattore del periodico "Radical Software" (1970-74), presidente della Raindance Foundation (1972–94) e Professore Associato della Cooper Union School of Art, New York (1980–92); 1976 co-editore con Beryl Korot "Video Art - an Anthology". Vive a Berlino dal 1993.


Sito web


Poetica

Nel suo lavoro con le videoinstallazioni e videotape, esplorò la manipolazione del tempo, l’interattività e la simultaneità come apparecchiature formali e concettuali.


Opere

Alcune opere


  • Three Early Works by Ira Scheider, 1966-68


  • Lost in Cuddihy, 1966

Video della durata di 12 min, colore, sonoro


  • The Ghost of Wittgenstein, 1968

Video della durata di 8:56 min, colore, sonoro


  • I’d Rather be Half Right Than Wice President, 1968

Video della durata di 4:58 min, colore, sonoro


Videoinstallazione in collaborazione con Gillette Frank


  • TV As a Creative Medium (with Narration), 1969-2001


  • A media Primer (Revised), 1970-2003


  • The Fourth of July in Saugerties, 1973


Videoinstallazione


  • A Weekend at The Beach, with Jean-Luc Godard, 1979



  • The 11th Greenwich Villane Halloween Parade, 1984


  • The New York City Parking Game, 1987


  • A Day at Copacabana Beach, 1988


  • Mr. Fluxus, 1996


  • The Neil Williams Memorial (The N.Y.C. Art Scene), 2000


  • The Rolling Stones Free Concert, 1969


  • Video Skulptur, 2002


  • The Two Woodstock Festivals of 1994, 2003

Video's:

The Altimont Festival (1969)

Bigelows Luncheonette Closes Forever (1985) 15 min

Bits, Chunks & Pieces (1975) 54 min

Bucky Fuller (with Frank Gillette) (1970) 60 min

A Day at Copacabana Beach (1988) 12 min

Echo (1976) 15 min also installation

The 11th Greenwich Village Halloween Parade (1984) 6 min

The Fourth of July in Saugerties (with Beryl Korot) (1973) 16:20 min

Greta (1988) 6 min

Interview With Buckminster Fuller (1970) 33:49 min

Manhattan is an Island (composite tape) (1974) 47:14 min also installation

A Media Primer (1970) 23:07 min

More or Less Related Incidents in Recent History (1976) 41 min

Public Access Catalog (1972) 30 min

Random Interlace, Content Electronics (1970) installation

Several Minutes of Several Days in the Hamptons (1977) 14 min

Some Scenes in Southern California (1978) 14 min

Time Zones (1980) installation

Time Zones: Documentation of an Installation (1980) 33:40 min

TV as a Creative Medium (1984) 12:08 min

Video Access Catalog (1971) 30 min

Video '75 (1975) installation

A Weekend at the Beach (1983) 7 min

Wipe Cycle (with Frank Gillette) (1969) 60 min installation

The Woodstock Festival (1969)

World Trade Center (1989) 30 sec

Yucatan Previews (with Beryl Korot) (1973) 17 min


Bibliografia

Webliografia

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