Crowe Nick: differenze tra le versioni

Revisione 17:45, 19 Set 2006

Crowe Nick nato a Barnsley, Sud Yorkshire, Inghilterra nel 1968

Biografia

Nick Crowe è un artista di Manchester la città dove ha studiato e dove attualmente vive.

Nutre uno specifico interesse nell’uso del vetro come materiale d’espressione contemporaneo (vedi le sue sculture 3 Cynical Objects 2001 e l’installazione Operation Telic 2005) e ha lavorato a lungo con mezzi digitali producendo opere per gallerie e presentazioni online.

Esposizioni

(*)1992 The Secret Installation of Nicolas Copernicus, Manchester Festival, (with Index) The Secret Diaries of Nicolas Copernicus, national tour (with Index) Emmanuel Enchanted, Forced Entertainment, national tour. A Brief History of the Mediterranean, Green Room, Manchester

(*)1993 66 - 99 (with 33 between), Prema Arts Centre and tour, (with Index) Observations on Architecture, TVOD, Manchester. My A B C, TVOD, Manchester.

(*)1994 Soft Rock, Institute of Contemporary Art, London, (with Index). Diverse City, Castlefield Gallery, Manchester, (with Index). The Alphabet of Dogs, Oliver Machine Works, Manchester, (with Index). Hidden J, Forced Entertainment, national tour.

(*)1995 Knowledge is Power, ceramic workm multiple sites, (with Ania Witkowska). Cornerhouse - ArtHouse, Hacienda, Manchester, (with Index). Soft Rock, Silesian Museum, Katowice, Poland, (with Index). Ha!,10a Little Peter Street, Manchester, (with Index).

(*)1997 AbsolutNew, Castlefield Gallery, Manchester. Superstore, Cornerhouse Gallery, Manchester & Arnolfini Gallery, Bristol. Connected, Northern Gallery of Contemporary Art, Sunderland. Tutor with an Idea, Three Month Gallery, Liverpool. One Day and All of the Night - ISEA 97, Chicago. Urbanites, City Racing, London (with Ian Rawlinson and Graham Parker). 20/20, Kingsgate Gallery, London. Home Ideals, FAT, London. Young Parents, Castlefield Gallery, Manchester (with Martin Vincent).

1996 Town (seen with a straight back), The Annual Programme, Manchester. BANK TV, ICA, London; Transmission, Glasgow; Unfair, Berlin; Live/Life, Lisbon. Something the Museum Sent Us, artists page, Versus Contemporary Art, Issue 5, (with Index).

(*)1998 What Difference Does it Make?, Cambridge Darkroom Gallery. 20/20, Angel Row, Nottingham. Artranspennine98, Manchester (catalogue) (with Ian Rawlinson and Graham Parker). Manchester Academy of Fine Art 139th Open Exhibition (sponsor), Bury Art Gallery.

(*)1999 Museum Magogo, Glasgow Project Space, Glasgow. MART, Centre for the Understanding of the Built Environment, Manchester (with Ian Rawlinson). VirtualTour, Museo de Monterrey, Mexico. Vidarte, festival of video and electronic art, Mexico City, Mexico. Life is Good in Manchester, Celeste and Eliot Kunstsalon, Zurich. Innovation and Tradition, Northview Gallery, Portland, Oregon (catalogue) (with Ian Rawlinson).

(*)2000 7/5, Leeds Metropolitan University, Leeds (with Ian Rawlinson). In Memoriam, New Art Gallery, Walsall (catalogue). Boring, The Works Gallery, Birmingham. Look and Feel, Büro Friedrich, Berlin (catalogue). Double Feature : Nick Crowe & Gary Hill, SFMOMA, San Francisco. VIPER2000, Theater Basel, Basel. Present & Display, Cab Gallery, London & Manchester. net.congestion, De Baile, Amsterdam. You Are Here, Metropolitan Galleries, Manchester. Goethe’s Oak Has Woodworm, Static Gallery, Liverpool. ManMOMA, International 3, Manchester. Museum Magogo, pb gallery, Melbourne. View and Re-view, London Print Studio, London. Endings, Whitworth Art Gallery, Manchester. Bono & Sting inhabit Lowry’s Living Room, FROM SPACE, Salford. ’scape, Kiosk Photographers Gallery, Manchester (with Ian Rawlinson). SpaceCraft, VideoPositive2000, Liverpool.

(*)2001 A Fair Place, Nouvelle Peripheries/Museum of Contemporary Art, Istanbul. The Digital Aesthetic, Harris Museum & Art Gallery, Preston. The Second Builders Arms Summer Biennale, International3, Manchester. Record Collection, International3, Manchester & Centre d’Art Contemporain, Geneva. Ich Bin, 2YK Gallery, Berlin. Short Stories,La Fabbrica Del Vapore, Milan (catalogue). Lovebytes 2001, Showroom Cinema, Sheffield (catalogue). Pixel, Chapman Gallery, Salford. Nick Crowe & Kenny Hunter, Turnpike Gallery, Wigan. Rotterdam International Film Festival, Rotterdam (catalogue).

(*)2002 Sambond / Connections, Institute of Culture and Fine Art, Hafnarborg, Iceland. Once Again, John Hansard Gallery, Southampton (catalogue). Artones, Liverpool Bienale, Liverpool. 6/6, ibidprojects, London. Tristero, Film and Video Umbrella, London. Travelogue, Whitworth Art Gallery, Manchester (catalogue). Atmosphere, Manchester Art Gallery, Manchester. Identinet, Channel 4 Television, London. Reactions, Exit Art, New York. TAXY, Essor Gallery Project Space, London.

(*)2003 Post-It, Floating IP, Manchester. Blueprint Fakers & Citadel Makers, Comme Ca Art @ Debenhams, Manchester. Thermo3, The Lowry, Salford. Manchester Portfolio, London Print Studio, London. Becks Futures, ICA, London; CCA, Glasgow; Southampton Art Gallery, Southampton (catalogue).

(*)2004 FILE-2004, SESI Art Gallery, Sao Paulo (catalogue). Romantic Detachment, P.S.1/MoMA, New York;Q Gallery, Metro Cinema & Susumi Derby; Chapter Arts, Cardiff. Futrology, New Art Gallery, Walsall (catalogue). Do Something, Floating IP, Manchester. After Life, Bowes Museum, County Durham (catalogue). Futureways, Middelburg Triennale, De Vleeshal, Middelburg, Netherlands (catalogue).

(*)2005 Christmas, con’temporary, Berlin. Do You Like Stuff?, Swiss Institute, New York. 9th International Istanbul Biennial, Istanbul (catalogue). Imagine, Osteopathic Centre for Children, Ancoats, Manchester. Insight, St Andrews Church, Holborn, London. There is Always an Alternative, Temporary Contemporary, London; International3, Manchester (catalogue). Post-It, ICA, London; Midway Contemporary Art, Minneapolis.

Esposizioni Principali

(*)1994 Train Up a Child in the Way he Should Go, Holden Gallery, Manchester, (with Index).

(*)1996 One Day and All of the Night - Internet Project for ArtAIDS, London. Mugger Music, Manchester International Arts, multiple sites, Manchester (with Jane Gant, Ian Rawlinson and Graham Parker).

(*)1997 Mugger Music, Lower Manhattan Cultural Council, multiple sites, New York. (with Ian Rawlinson and Graham Parker).

(*)1998 The Ten Point Plan for a Better Helsinki, KIASMA, Helsinki (catalogue). 2 Space Architects, www.theannualprogram.com (with Ian Rawlinson).

(*)1999 2 Speakers, ICA, London, (with Ian Rawlinson). The Citizens, pub. Book Works and Artec.

(*)2000 Mobile Home Gallery, www.mobilehomegallery.com. SERVICE2000, multiple sites, World Wide Web. Discrete Packets, New Media Centre, ICA, London. Stuff with Glass and Light, Chapter Gallery, Cardiff. The New Medium, Lux Gallery, London.

(*)2001 Nasdaq Landscape, Yorkshire Sculpture Park, Wakefield Kyoto Protocol, Flux Space, Flux Magazine Aug/Sept (with Ian Rawlinson).

(*)2002 Explaining Urbanism to Wild Animals, Tmesis Gallery, Manchester (with Ian Rawlinson).

(*)2001 The Fire’s Prayer, FACT Centre, Liverpool (with Ian Rawlinson).

Opere

(*)Operation Telic (2005)

Glass engravings of the occupation of Iraq set on self-illuminating shelves. Incisioni sul vetro, poggiati sui piani illuminati.Installazione

(*)Getting On (2003) Installation of seven moblitiy scooters with classical soundtrack. Commissioned by Chisenhale Gallery, London. Istallazione di sette scooter per disabili con colonna sonora classica.

Questa per Nick Crowe era un’esposizione a carattere sociale senza fini trascendenti.

(*)Police Radio (2003) A web radio station made in collaboration with serving officers from Merseyside Police Force Comissioned by FACT, Liverpool. Un stazione di radio sul web, creato in collaborazione con agenti di polizia in servizio presso la stazione di polizia, Merseyside. Commisionato dal FACT, Liverpool

Qualsiasi disputa, controversia, querela o richiesta di risarcimento, di qualunque natura, relativa all’accesso di questo sito web e i suoi contenuti con tutte le informazioni pubblicate o diffuse, sarà governata e interpretata conformemente alla legge Inglese e, a questo scopo, si accetta di sottoporsi irrevocabilmente all’ unica giurisdizione del tribunale inglese.

(*)The World Wars (2003) A cyberglobe consisting of 74 web sites showing the world under constant attack. Commissioned by BECKS/ICA for Becks Futures 2003. Requires shockwave. Un globo virtuale che consiste di 74 siti web indicanti il mondo sotto constante pericolo di attacco.

(*)Historic Link (2002) A found animation with an embedded url. Un’ animazione trovata con un URL radicato.

(*)Artones ringtones (2002) A collection of screen logo’s and axis-of-evil ringtones. Una collezione di loghi di schermo e assi di cattive suonerie

(*)Different AVs (2002) Amended software for Palace Chatrooms. Commissioned by Channel4 Television & Arts Council of England. Applicazione di software aggiornato per Chatrooms del palazzo reale. Commissionato dal Channel4 Television & Arts Council of England.

[The Management Committee of the World Wide Web Consortium (w3c) (2000)] Thirteen engraved glass portraits of the w3c’s management committee. Tredici ritratti in vetro inciso del comitato di direzione della w3c.

(*)Mobile Home, London (2000) A web site for a commercial gallery. Un sito web per una galleria commerciale.

(*)Architectural Association (2000) A web site. Un sito web

(*)SERVICE2000_7/29 (2000) A sample of 7 sites from a not-for-profit cybersquatting project using the names of London galleries. Una campionatura di 7 siti tratti da un progetto abusivo di ciber occupazione, che utilizza i nomi di gallerie di Londra. 7 di 29 indirizzi di siti web SERVICE2000 era un progetto che è stato realizzato durante giugno e luglio 2000. Le opere mostrate sono delle ricostruzioni d’esempi archiviati di siti e URL, dai quali sono state fornite perchè non sono più disponibili online. L’immagine sopra mostra come le opere sono state presentate nello spazio espositivo – come un istallazione di Macs dell’epoca.

(*)Cynical Objects (2001) Tree table top sculptures representing the Nasdaq, FTSE and DOW indicies during the year of the dot com crasch. Tre grandi sculture su tavolo rappresentanti Nasdaq, FTSE e DOW nell'anno dei crac dei "punti com".

(*)Discrete Packets (2000) An interactive film work about a man who is trying to locate his missing daughter. Commissioned by DA2, Bristol/London for Video Positive 2000 Un’opera di film interattiva che tratta di un uomo che tenta di trovare sua figlia scomparsa. E’ un film che si insinua tra programmi di navigazione, siti internet per rintracciare persone scomparse e pornografia on-line. E’ un film per Internet e su Internet: un’opera che cerca di tradurre l’estrema permeabilità della rete in un’esperienza quasi cinematica. E in particolare è un’opera d’arte progettata e creata per essere vista da una persona alla volta.

(*)The New Medium (1999] Fifteen engraved glass sheets from an online memorial site. Quindici lastre di vetro incise per un sito commemorativo online.

(*)Y2K -The Relationship between Faith and Technology (1999) A web animation. Commissioned by The Waiting Rooms. Un’animazione di web. – Commissionato dal The Waiting Rooms

(*)The Citizens (1999) A book work of personal homepages. Commissioned by Book Works & ARTEC, London. Un opera letteraria di homepage personali.

(*)The 10 point plan for a Better Helsinki (1998) A collection of web site designs to advocate for an urban improvement to central Helsinki. Made in KIASMA as part of the MUU media festival. Una collezione di disegni per siti web che promulgano un miglioramento urbano per Helsinki centrale.

(*)Oneday and All of the Night (1996) A web cam work made for World Aids Day 1996. Un’opera web cam creato per il giorno mondiale di AIDS 1996.

Espozioni recenti

Le sue recenti esposizioni internazionali comprendono:

Bibliografia

Articoli e stampa in generale

Independent Collaborative Hospitality, Dave Beech VARIANT Volume 2, number 22, Spring (*)2005 Explaining Urbanism to Wild Animals, Mark Crinson, MUTE Issue 29, February (*)2005 Gregor Schneider, Dave Beech, Art Monthly December(*)2004 Artranspennine03, Neil Mulholland, frieze Issue 79, November - December(*)2003 Nick Crowe and the Merseyside Police Hitlist, Jessica Lack, The Guardian 6 October (*)2003 Nick Crowe, Marcus Verhagen, Art Review September (*)2003 Insider - Steal fun from old people, Tom Morton, ARENA August, (*)2003 The Show Must Go On!, Colin, www.preromanbritain.com August, (*)2003 Nick Crowe, Martin Herbert, Time Out 9 - 16 July, (*)2003 Crowe’s show takes us for a ride, Ben Deighton, Hackney Gazette 3 July (*)2003 Nick Crowe and Ian Rawlinson, Paul Bayley, Art and Christian Enquiry Issue 35, July (*)2003 London, Critics Picks, Rachel Withers, Artforum.com June (*)2003 Deuce, Tim Birch, City Life Magazine Issue 486, 21 - 28 May, (*)2003 Duality and Duplicity on Show, Lucy White, Metro North West 2 May (*)2003 Police Radio Project with a Difference, Laura Twemlow, Merseybeat May, (*)2003 Tasty dishes stand out in Beck’s menu, Charlotte Mullins, Financial Times 30 April, (*)2003 Serious art, or pessimist chic?, JJ Charlesworth, The Daily Telegraph 9 April, (*)2003 The future’s dim, Adrian Searle, The Guardian 8 April, (*)2003 Invisible Art is the new must-see, Nigel Reynolds, The Daily Telegraph 2 April (*)2003 Bedtime for Saatchi, Flachra Gibbons, The Guardian 2 April, (*)2003 The Ghost in the Machine, Mick Robertson, FLUX Magazine February (*)2003 Certifiable Art, Paul Black, Flash Art October (*)2002 Private View, Tim Birch, City Life Magazine Issue 467, 9 - 24 October (*)2002 Swetlana Heger, Nick Crowe, Roland Boden, Sally O Reilly, Time Out 18 -25 September (*)2002 Ich Bin, Axel Lapp, Art Monthly September (*)2001 From the Web To Eternity, Alex Perez, Business 2.0, 6 March (*)2001 Life is Good in Manchester, Ronnie Simpson, Art Review, December/January (*)2001 The user takes all, Georg Schoellhammer, Springerin, December/January (*)2001 Go West Young Man, Graham Parker, Art Monthly, December/January (*)2001 Dying is an Art and They Do it Very Well, Charles Darwent, Independent on Sunday, 10 Decermber (*)2000 Site name taken? No problem - just join the dots, Sutherland Lyall, The Architects Journal, Volume 212, No 16, 2 November (*)2000 Solid Foundations, Marjorie Allthorpe Guyton and Paul Glinkowski, Tate Magazine, Winter (*)2000 Digital Folk Artist Nick Crowe Subverts Human-Web Interaction, Glen Hefland, SF Gate, Monday 31 October (*)2000 Streaming Networks, Michael Gibbs. Art Monthly, October (*)2000 SERVICE2000, Mike Dawson, FLUX Magazine August (*)2000 Seeing Double, Mike Barnet , City Life Magazine, issue 410, July (*)2000 Alter e-galleries, Jon Thomson, www.eyestorm.com, 12 July (*)2000 The Men who Subverted the Tate on the Net, Marek Kohn, Independent on Sunday, July 2000 Artists as Workers and Technology as Artists, Dr Future, VARIANT, Vol 2, No. 11, Summer (*)2000 The Other Side of Zero, Graham Parker, Art Monthly, May (*)2000 The New Medium, Flux Magazine, January (*)2000 Up Close and Personal, Marek Kohn, Independent on Sunday, March (*)1999 Uimassa Toolonahdella, Milla Autio, Helsinki Sanomat, 8 October (*)1998 Four days, a thousand miles, the Gazza diet & artranspennine98, Jamie Robinson, Blueprint, No 152, July/August (*)1998 Mugger Music, Ginger Strand, Theater Journal, May (*)1998 Absolut New, Robert Clark, Artist Newsletter, February (*)1998 Currents, Malcolm Miles, Artist Newsletter, January (*)1998 Live Art’s Digital Horizons, Barry Smith, Literary & Linguistic Computing, Vol 12, Number 4, November (*)1997 Tight Shoes and the lump-cut (Walter’s Embrace), Rob Stone, Coil #5, Autumn (*)1997 Concrete Metropolis, Tyler Thoreson, Total New York, June (*)1997 Young Parents, Andrea McKean, MAKE, Number 76, May/June (*)1997 Mugger Music (walking the City), Ian Rawlinson, InterELIA Magazine, Issue 2, Winter (*)1996 The British Art Show 4, Libby Anson, Contemporary Art Magazine, Vol 3, Number 2, Spring (*)1996 Ha!, Robert Clark, Untitled, Number 10, Spring (*)1996 Xmas (*)1998, Robert Clark, The Guardian, June (*)1995

Altri scritti

The Day the Internet Disappeared (MM, interracial,) Crash Media, June 1998

Poetica

Negli ultimi anni il lavoro artistico di Nick Crowe si è sviluppato attraverso l’utilizzo di video, performance, disegni e molti altri mezzi espressivi, passando anche attraverso realizzazioni di sculture pubbliche e ad altri interventi non necessariamente collegati agli spazi della galleria e del museo. Molte delle sue opere esaminano i paradigmi e le problematiche emerse dalla diffusione di Internet, esse cercano di gettare uno sguardo antropologico sui cambiamenti che Internet ha imposto sulle nostre relazioni sociali.In tutta questa serie di lavori, Crowe ha scritto libri, realizzato sculture, intagli in vetro, ma ha anche creato opere appositamente per la rete e una serie di animazioni digitali. Sempre all’interno di questo progetto, ha registrato il dominio di ventinove gallerie londinesi, ha creato volontariamente pagine web di pessimo gusto con tanto di musica di sottofondo e ha collegato fra di loro i vari siti, raccolti sotto il nome di SERVICE 2000 (vedi foto nelle opere). Alla base di questa ricerca c’è sempre il desiderio di descrivere e raccontare Internet come un propulsore di cambiamenti culturali, il suo lavoro cioè cerca di segnare come in una mappa questi luoghi e quei punti nei quali la rete ridisegna i confini sociali ed economici. Tracciare un identikit di chi passa le giornate a svolgere affari online, giocando in borsa e magari progettando proprie home pages e osservare tutti quegli e-mail che corrono velocissimi sui cavi. Il lavoro di Crowe è una sperimentazione interessante proprio perché in alcuni casi apre il confine dell’opera, dando la possibilità di intervenire da casa all’interno della mostra e viceversa grazie al web. Oltre che come artista Crowe ha lavorato in qualità di Direttore per l’Annual Programme, Manchester (1995-2001) ed è stato membro del comitato organizzante per il padiglione di Manchester alla Binennale di Venezia del 2001.

Progetti futuri

Webliografia

http://www.nickcrowe.net/ Nick Crowe artwork for download site The web site of Nick Crowe, an artist based in Manchester in the North West of England. Digital works available for downloading includes The World Wars, ...

http://nickcrowe.net/onlineworks/discretepackets Discrete Packets (2000)

http://www.nickcrowe.net/online/discretepackets/index.html

http://0100101110101101.org/texts/ciberpais_hell1-sp.html NICK CROWE (http://www.nickcrowe.net) comenzó su trayectoria artística como escultor de obras públicas, pero rápidamente se acercó al vídeo, la performance ...

http://www.diacenter.org/ Dia Center for the Arts:

http://www.thing.net/~janine/ Janine Gordon

http://www.nickcrowe.net/online/10pointplan/10pointplan.pdf. The Citizens 1999, web pages and artist’s book A collection of personal homepages hand-rendered ...

http://www.identinet.net/html/crowe-previous.html

http://www.thomson-craighead.net/docs/anthro.html

http://www.eyestorm.com/feature/ED2n_article.asp?article_id=118

http://rhizome.org/member.rhiz?user_id=1021860

http://www.variant.randomstate.org/issue22.html

Sito web

http://www.nickcrowe.net