Schneider Ira: differenze tra le versioni

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Personaggio

Schneider Ira

http://www.nicht-wegsehen.de/ira_schneider/grafik/ira_planet_golf.jpg

Ira Schneider nel 1947,viveva a Manhattan con la sua famiglia ed era l'unico nel quartiere che possedeva un televisore a 18 anni.

Piu tardi è stato uno dei primi uomini al mondo a possedere una videocamera portatile.

Ira Schneider era un pioniere nella video arte alla fine 1960 e primi anni settanta.

Nel suo lavoro con installazioni di video e nastri a singolo-canale, lui esplorò la manipolazione del tempo, l'interattività e la simultaneità come apparecchiature formali e concettuali.

Come partecipante al "the landmark exhibition TV as a Creative Medium" presso "the Howard Wise Gallery" nel 1969, lui creò le prime installazioni video più importanti con sistemi multi-canale, tra queste la famosa "Manhattan è un'Isola" con Frank Gillette e Wipe Cycle.

Schneider era un membro fondatore della Fondazione e coproduttore di "the seminal video journal Radical Software".

Nel 1976, insime con Beryl Korot è co-editore di "Video Art: An Anthology", una delle prime e più importanti antologie di scrittura critica contemporanea ai primi movimenti video alternativi.

Schneider Ira nasce nel 1939.

Ha ottenuto un A.B.dalla Brown University ed un M.A. in psicologia dall'Università del Wisconsin - Madison.

I suoi numerosi premi includono riconoscimenti e benevolenze da "the New York State Council on the Arts", "the National Endowment for the Arts" e "the Guggenheim Foundation".

Lui ha insegnato all'univesità di California presso San Diego; al "The American Center" di Parigi; alla "Cooper Union".

Lui vive tuttora a berlino.

Biografia

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Schneider Ira nasce nel 1939 a New York (USA)

studia Arte alla Brown University, Providence

studia Psicologia all’Università del Wisconsin, Madison

e per un anno intermedio studia storia dell' arte e letteratura a Monaco di Baviera (Germania)

pioniere del video a fine anni Sessanta inizio anni Settanta, nel 1969 realizza i suoi primi lavori con video appunto

è co-fondatore, membro e capo-redattore del periodico "Radical Software" (1970-74)

presidente della Raindance Foundation (1972–94)

Professore Associato della Cooper Union School of Art, New York (1980–92)

1976 co-editore con Beryl Korot "Video Art - an Anthology".

Vive a Berlino dal 1993

Sito web

http://www.ira-schneider.com/artist/index.html

Poetica

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Nel suo lavoro con le videoinstallazioni e videotape, esplorò la manipolazione del tempo, l’interattività e la simultaneità come apparecchiature formali e concettuali.

Ira Schneider sa sfruttare le possibilità del video, gira i film informali Z. B. su Woodstock, su Buckminster Fuller, su Documenta X, ma anche sulle più importanti mostre di video arte.

Opere

Wipe Cycle, 1969 Videoinstallazione in collaborazione con Gillette Frank

Manhattan is an Island, 1974

Videoinstallazione Time Zones: Documentazione di un’Installazione, 1980

Educazione

1964 Univ. Wisconsin, Madison-M.A./Magister-Physiological Psychology Philosophy of Science;

1961 Ludwig Maximilians Uni., München-Art History, Philology, Literature;

1960 Brown University, Providence, Rhode Island, magna cum laude, phi beta kappa, B.A.-Experimental Psychology, Comparative

Letteratura;

Videotapes: documentary (D) / art (A) / installation (I) , all VHS-PAL, color, except where otherwise stated:

2005 “More or Less Related Incidents in Recent History“(A) 39min., “- +

2005“(A) 28“30““an information collage

2004 “2+2=4“ (D) 30sec.

2003 “The Two Woodstock Festivals of 1994“ (D) 24min.

2002 “Bob Rutman, Artist, Musician, instrument maker“ (D) 60min.

2001 “TV as a Creative Medium“(D) from 1969,11min. b/w, “Vision & Television“(D) from 1970, 35 min. b/w. “Brazil, the Sleeping Giant“(A/D) 58 min.;

2000 “How Bill Viola Does It“, (A) 2minutes;

1999 “Schneider heiratet seine SONYa“, (A) 3minutes; “Schneider Marries his SONYa“ 3 min.

1998 “Nam June Paik is eating Sushi in South Beach (Miami, Florida), (A) one minute;

1997 “The Frantic Pedantic Semantic Antic“ (A) sound & color added to original 1965 silent film, 8 min.

1996 “Mr. Fluxus“, Memorial to George Maciunas, May 1, 1996, Wiesbaden w. many Fluxians (D) 2hrs.

1995 “Datenraum Deutschland“, (I) edits of 16 Bundesland tapes about past & present cultural expression, visitors walk on large (16x12m) map of Germany, 16 tapes play simultaneously

1994 “The 2 Woodstock Festivals of 1994“ Saugerties – Bethel, N.Y., (D), 1 hr. selection w. Martin Hamlet

1993 “Das Vereinigte Deutschland“, sampler of the videos for the 1995 installation, (D), ca. 30 min.

1992 “Video Skulptur“, (D) of the 1989 group video show, Kunstverein Köln, ca. 40 installations, 30 min.

1992 “Neil Williams“s Wake“, (D) F.Stella, J.Schnabel, Viva, Ultraviolet, Taylor Mead etc. attended, 70 min.

1991 “John Campbell“ great blues guitarist at Nells, 14th St. N.Y.C., (D), 2 hrs. (NTSC)

1990 “Music from the N.Y. clubs- J. Campbell at Nells, “Mystic Chain“ at the BBQ, 4 hrs.

1989 “The World Trade Center“, (A) animation, 30 seconds

1989 “People walking through the Berlin Wall“, (A) trick, Aug. 1989, shown in Kongresshalle Berlin, 5 min. in “Wipe Cycle“, (I) by I.S. & F.Gillette, part of “Video Skulptur“ group show, Aug.27-Sept. 27, 1989, (NTSC);

1988 “A Day at Copacabana Beach“, (A), Rio folk culture at the beach, 12 min.

1987 “The New York City Parking Game“, (A), complicated rules & heavy penalties, happy ending, 10 min.

1986 “Either a Honeymoon or a Forced March“, (A) manic trip, Paris, Italy, Yugo., Austria, Germany, 1 hr.

1985 “Bigelows Luncheonette Closes Forever“,(D) the Village, loses a favorite meeting&eating spot, 26min.

1984 “TV as a Creative Medium“(D) the first group videoshow in N.Y. 1969, Howard Wise Gallery, 10min.

1984 “The 11th. Greenwich Village Halloween Parade“, (A/D), archetypal all saints day, 36 min.

1984 “A Weekend at the Beach, w. Jean-Luc Godard“, (A/D), W. Wenders, H. Müller, etc. 1978, Calif., 7min.

1980 “TIMEZONES“, a reality simulation, (I) 24 videos, 30 min. of each time zone, played simultaneously giving the feeling that one could see all over the world at the same time;

1978 “Some Scenes in Southern California“, (A), landscapes & mellow culture, 13 min., (I) with below;

1977 “Several Minutes of Several Days in the Hamptons“, N.Y. beach culture, 13 min., (I) with above, b/w

1976 “Echo“ (A/D/I), doc. of visual (Video) echo installation, Syracuse N.Y., 12 min.

1976 “More or Less Related incidents in Recent History“,(A/D) mix of 25 yrs. of news, war, culture, 41min*.

1975 “Bit, Chunks, and Pieces“, (A) prototype for video disc on American culture,b/w,50min.,(I)Video 75*,(NTSC);

1974 “Manhattan is an Island“, map (I), experience all Manhattan in one space, 6 tapes simult., b/w, 1hr.*

1974 “Gregory Bateson“, (D), lecture on biology & culture, Lehman College, N.Y., b/w, ca. 60 min.

1973 Richard Serra, installing sculpture at the Staedlik Museum, Amsterdam, (D), b/w, ca. 5 min.

1973 “The Boring Years“, (A) city & country contrasts, with Beryl Korot, b/w, 5 min.*

1973 “The Fourth of July in Saugerties“, (A/D) typical American celebration, w. B.Korot, b/w, ca. 5 min.

1970 “Media Primer“, (D) relationship of media to American culture, b/w, 30 min.*

1970 “Steve Miller Group, The Who, Mountain, Jefferson Airplane at the Fillmore East, b/w, ca. 30min. each (NTSC);

1970 “Buckminster Fuller“, (D) rap on the history of civilization & ecology, b/w, 35 min., director/editor;

1969 “Abbie Hofmann“(D), rap on the Chicago 8 trial & America, b/w, 20 min. producer & sound;

1969 “The Rolling Stones free Concert“ at Altamont, Ca., (D) subject of “Give Me Shelter“, b/w 3 hrs.

1969 “The Woodstock Festival“, (D) backstage, crowds, sociology, b/w, 60 min.

1969 “Wipe Cycle“, (I) with Frank Gillette, two 30 min. edited tapes, 2 video time delays, 1 live camera, mixing the audience into the art work as active participants (NTSC);

1969 “The Ohio Tapes“, (D/A) farmers, students, performance, America, with Frank Gillette, b/w, 9 hrs.(NTSC). *above = “Information Collage“, style of combining audio & visual data

Solo video & photo exhibitions, screenings & presentations / Installations, lectures, seminars:

2005 Art Center,Berlin video screening

2004 Zuviel TV,Berlin, Joselite Centrum, Berlin

2003 Linc Art Gallery, San Francisco, photos, digital prints, videos

2002 ZKM Karlsruhe, selections from the video archive 25.4-2.6.02,Galerie Blickensdorff, Berlin, Videoscreening

2001 Studio 63, Berlin, video + photos, Neuer Berliner Kunstverein, Screening & lecture

2001 Studio 63, Berlin, retrospective, Soul Kitchen/ Rock“n Roll photos & Art Photos, Berlin

2000 Photo Exhibitions Kuckucknest Galerie, Bambibar Nightgallery

2000 National Galerie, Prag, Art Akademie Budapest, HDK Berlin

1998 Humboldt Universität, Lecture and video screening;

1998 Neue Berliner Kunstverein, Berlin, Lecture on early Video Art +video examples;

1997 Institut Galerie & Kaufladen, Berlin, video screening & installation;

1997 Anthology Film Archive, N.Y.C., 3 evenings of video screenings; 1996 Shift Galerie, Berlin, screening;

1994 Akademie der Kunst, Saarbrücken, presentations and seminars;

1994 Hochschule für Gestaltung, Karlsruhe, Ernst Moritz Arndt Universität, Greifswald, Schule für Gestaltung, Basel & Städel Schule für Kunst, Frankfurt a. Main., screenings & Lectures;

1993 Akademie der Künste, Düsseldorf, screening & lecture;

1992 Konrad Wolfe Film School, Babelsberg, Germany, presentation;

1992 Night Light TV, N.Y.C. cable-tv show, presentation;

1988 Casa da Cor, Sao Paulo, Brazil, lecture & presentation;

1988 Museum of Image & Sound, Sao Paulo. installation;

1986 Hochschule der Künste, Zürich, Schule für Gestaltung, Basel, Kunst Museum, Bern, Kunst Akademie, Luzern, Centre Culturelle, Geneve, lectures & screenings;

1985 Institute for North American Studies, Barcelona, University of Barcelona, lectures & screenings;

1983 American Center, Paris, presentation & seminar;

1981 University of California, San Diego, screening & lecture;

1981 Whitney Museum of American Art, N.Y.C., “Timezones, a reality simulation“ installation;

1980 Everson Museum, Syracuse, N.Y. “Timezones“, 24 tapes, one from each zone played simultaneously;

1980 Hochschule der Kunst, Berlin, summer video art production workshop, “Berlin is an Island“;

1979 Environmental Communications & Some Small Business; Venice, Ca., installation;

1979 Boston Film & Video Coop, installation & presentation;

1978 Hochschule der Kunst, Berlin presentation;

1978 AVZ GRAZ, Installation & lecture;

1978 Anthology Film Archive, N.Y.C., “Echo“ installation;

1977 Whitney Museum of American Art, N.Y.C. “Manhattan is an Island“ installation;

1976 Synapse, Syracuse University, N.Y.C. “Echo“ installation;

1975 The Kitchen, N.Y.C. “Video 75“ installation,9 videotapes simultaneously;

1974 The Kitchen, N.Y.C. “Manhattan is an island“ installation

1974 Museum of Modern Art, N.Y.C. screening; Museum of Contemporary Art, Houston, Texas, screening;

Teaching:

2002 Hochschule für Gestaltung, Karlsruhe, Gastdozent

1994 Akademie der Künste, Saarbrücken Seminar;

1988-1992 Cooper Union Associate Professor;

1980-1988 Cooper Union for the Advancement of Science and Art, N.Y.C., Assistant Professor

1980 Visiting Artist, Hochschule der Künste, Berlin;

1976-1980 Visiting Assistant Professor, University of California, San Diego; 1974 Video Production, Lehman College, N.Y.

Group shows:

2005 ZuvielTV, Art Salon Berlin; Kunstfilm Biennale premiere, Köln.Zamek, Poznan

2004 Nikolaj Gallery, Copenhagen-Max's Kansas City Club Show

2003 Kunstpunkt Berlin, with Emmett Williams/Ann Noel, photos & videos

2002 Kunstpunkt Berlin, videos

1999+2000 Art-Forum, Berlin

1998 Museum of Modern Art, N.Y.,

1997 Art Forum, Messe Berlin, Art Club Berlin;

1994 Whitney Museum of American Art, N.Y.C. “TV as a Creative Medium“, 25th anniversary of the first video group show in N.Y.C. (1969) at the Howard Wise Gallery, with Nam Jun Paik, Frank Gillette Paul Ryan & others;

1994 America Haus, Berlin, Fulbright meetings, “Wanderungen durch die deutschen Länder“ installation preview

1991 The Kitchen, N.Y.C. Raindance Foundation 20th. anniversary exhibition; with Beryl Korot, Frank Gillette, Paul Ryan & Davidson Gigliotti;

1989 Kongresshalle, Berlin, Video Sculpture, ca 45 installations, “Wipe Cycle“ with Frank Gillette;

1989 Kölnischer Kunstverein, Video Sculpture, ca. 45 installations, “Wipe Cycle“ with Frank Gillette, also works by Paik, Kubota, Oursler, Shaw, Campus, Levine, Schwartz, Graham, Muntades & more;

1985 traveling show, Time, the fourth dimension in Art, at The Barbican Center, London, Museum Moderne Kunst, Wien, Museum Nouvelle, Lyon, & Kunsthalle, Mannheim, “Timezones“;

1984 Palais de Beaux Art, Brussels, Time, the fourth dimension in Art, “Timezones“ ,( tapes from the 24 timezones-see all over the world at the same time) & works by Duchamp, Man Ray, Paik, Monet, D. Oppenheim, Rodin & others;

1980 Winter Olympics, Lake Placid, N.Y. “Timezones“& works by Paik, Gillette & others;

1975 Kennedy Center, Washington, D.C.;

1975 Institute of Contemporary Art, Philadelphia;

1974 Museum of Contemporary Art, Chicago;

1970 Rose Art Museum, Waltham, Mass. “Random Interlace Content Electronics“ (works by Videofreex, F. Gillette, Paik, P. Ryan & others);

1969 Howard Wise Gallery, N.Y.C., TV as a Creative Medium, “Wipe Cycle“ with F. Gillette (works by Paik. Paik/Charlotte Moorman, Paul Ryan, Aldo Tambolini & others).

Photography collections & gallery shows

2005 Rachel Haferkamp Galerie,Cologne

2004 Klick Cinema One man show, Berlin

2003 Kunstpunkt Berlin Abstract, Nature&satiric photos

2002 Abstract photos in Alexander Osang Family Collection

2001 Studio 63 Berlin,retrospective,Soul Kitchen/Rock,Berlin N“ Roll photos,& Art Photos

2000 Photo Exhibitions Kuckucknest Galerie,Bambibar Nightgallery

1999 more photos in Artothek NBK,

1998 Photos in Neuer Berliner Kunstverein collection;

1998 One man show of limited edition photos,photocollages,& posters,Kunst/City Galerie,Berlin;

24 “abstract impressionistic“ photos in permanent collection, Quarterdeck Inc. RCA bldg., N.Y.C.

10 “abstract impressionistic“ photos in permanent collection, Kenneth Laub Real Estate, N.Y.C.

Salmagundy invitational group show, N.Y.C.

Wiener Secession, group show, Vienna;

Film: (16 mm)

1968 “I“d Rather be Half Right than Vice President “color, sound, 5 min., St. Lawrence College-prize;

1967 “The Ghost of Wittgenstein“ color,sound,10 min.,scipt by prof. Ray Lucas, Foothills College-prize

1966 “Lost in Cuddihy“ color,sound, 13min.(60“s culture)National Student Assoc.-prize,MOMA archive;

1965 “Peanut Butter on My Roof“(edited by David Brooks)color,sound, 10min.,(voice of Andy Worhol);

1965 “IS“ color silent loop, 6min.; “Hip Au Go Go“b/w,sound, 4min.(dance party-Madison, Wisconsin)

1964 “The Frantic Pedantic Semantic Antic“,b/w & color, silent, 8min., (an absurdist, happening film);

1963 “The Great Suds Your Suds Robbery“,b/w, sound 3 min., (comedy)

1962 “The File Cabinet of Dr. Saborin“, b/w. silent, 3 min., (mad Scientist).

Comic performance/happenings/perpertrations:

1964 “Leafmobile“, fallen leaves (October) pasted (klebt) on “55 Chevrolet (except windows & chrome), we rode around Madison, Wisconsin, wearing hats with feathers, waving out the windows,

1959 “Exam Stress“ friend taking four, 3hr.exams in 2 days says he will pass out (ohnmächtig) after. In a large exam hall, he turns his exam in, returns to his seat & falls on the floor, people notice, at once two men in white lab coats with stretcher (Krankentrage) rush in & carry him out of the hall, amidst astonishment.

1959 “Study Stress“, in library shortly before exams, students study in large room, where books, specially for the exams may be read, but only taken out for 3 hrs. (We secretly place one of my books with 3 hr. sticker on the shelf.) Later, an accomplice takes that book to the check out counter, I rush in & rather loud say I must see the book for 5 min. My accomplice says no. We fight over the book / it rips in half, all are astonished. The librarian says we must pay. Each puts his half in a different return slot. As the librarian goes for the 2 book halves, we run out. We hear loud laughter.

1959 “The Random Sonata“, Chalk was thrown at a blackboard with music staves on it. Wherever the chalk hit a note was placed. The length of each note was determined by pulling a slip of paper out of a hat. Each slip had a different note length on it, e.g. 1/4, or 1/8, etc. Alvin Curran then played the “Random Sonata“ on a piano of the music dept. at Brown University, Providence, Rhode Island.

1958 “Black Paintings“, an artist, in white smock & beret appears on the Brown University college green. He begins painting a large canvas with a very fine brush & only black paint. After a few hours the canvas is totally black. Among those who gathered was Willoughby Sharp who asked the artist why he used such a small brush. The artist answered: “All painters select from the same colors & the same forms. It is only the brush stroke which differentiates the ordinary from the great painter“. In the weeks following the artist went on to paint, “The Annunciation“, “The Martyrdom of St. Sebastian“, “Madonna with Child“ & more, all black.

Grants & fellowships:

2000-02 Zentrum für Kunst & Medientechnology Video restoration Grant

1993 Fulbright Senior Research Fellowship, Berlin, Germany;

1978 National Endowment for the Arts;

1977 John Simon Guggenheim Memorial Fellowship;

1971 - 1976, grants from the Creative Artist Program, N.Y., N.Y. State Council on the Arts & National Endowment for the Arts.

Print:

2005 N.Y.TimesStyle.5/1/05

2003 Berliner Zeitung

2002 Artforum, May Radical Software

2001 N.Y.Times /Sunday Art Section 1/21/2001.

2000 Berliner Zeitung,Berliner Morgen Post

1997 chapter in “Kunst und Zeit“, ScanegVerlag, München,Von H.Paflik- Huber

Bibliografia

Webliografia

http://www.medienkunstnetz.de/artist/schneider/biography/

http://www.eai.org/eai/artist.jsp?artistID=401

http://WWW.radicalsoftware.org

http://on1.zkm.de/zkm/medialounge/schneider/