Hovagimyan G.H.: differenze tra le versioni

Versione attuale delle 13:54, 8 Giu 2007

Hovagimyan G.H.

Biografia: Nasce nel 1950. G.H. Hovagimyan è conosciuto per il suo lavoro di pioniere con internet. E’ uno dei membri più importanti di artnetweb. Ha realizzato una conferenza in streaming video, chiamata Art Dirt, che è stata la prima in cui parlava un artista e che ora fa parte degli archivi digitali del Walker Art Centers. I suoi lavori iniziano con Punk Performance negli anni ‘70 e continuano con web jamming interattivi negli anni ‘90.

Sito web: http://rhizome.org/member.rhiz?user_id=4889

G. H. Hovagimyan is an experimental cross media, new media and performance artist who lives and works in New York City. He was born 1950 in Plymouth, Massachusetts. In 1972, He received a B.F.A. from the University of the Arts in Philadelphia, Pennsylvania and received an M.A. from New York University in 2005. He is a professor at the School of Visual Arts in the MFA Computer Arts Department. He was one of the first artists in New York to start working in Internet Art in 1993 with such artists' online groups as the thing, ArtNetWeb, and Rhizome. He has collaborated with English/French sound artist Peter Sinclair on a number of works.

Early Works

112 Workshop

From 1973 to 1986 he was involved in the SoHo and Lower East Side underground art scene. His first solo exhibition, a rigorously conceptual art show at 112 Workshop in 1973, was titled Control Designators.

"...Hovagimyan made use of three types of designators to direct the viewers experience of the space at 112: 100 number codes indicating the surface topologies of the space, three visual sighting devices functioning like a gun-sight to locate 100 points in the space, and 100 language signs giving directions for the ways to think about the space and move around within the space. The system was based on Jean Piaget's theory of child development as opposed to adult intellectual development. Thus, the basic matrix of the artist's code was related to the progression from undifferentiated surface topology through geometric triangulation to the linear sense of language experienced in reading." - (112 Workshop/ 112 Greene Street History, Artists & Artworks Edited by Robyn Brentano with Mark Savitt, 1981 New York University Press, New York).

He was a friend of the artist Gordon Matta-Clark, who was also involved in 112 Workshop. He worked with Matta-Clark on several projects, namely: Days' End, Conical Intersect, Walking Man's Arch, and Underground Explorations. In 1974 during the video-performance series at 112 Greene Street, he performed opposite Spaulding Gray in Richard Serra's video A Prisoner's Dilemma.

East Village and Punk

Much of his early work was ephemeral in nature. It involved performance art, written and language works, and temporary installations in galleries. A word piece, Tactics for Survival in the New Culture, was exhibited in "The Manifesto Show" (1979) organized by the artist collective colab. This particular piece was to become the basis for one of his first online hypertext works in 1993. He showed in several group exhibitions organized by Jean Dupuy, a French Fluxus artist living in New York at 405 E. 13th Street. In 1980 he did a series of punk performance pieces for Artist's Space series called Open Mic. One piece, Rich Sucker Rap was recorded by Davidson Gigliotti for a video tape called Chant Accapella which Electronic Arts Intermix carries in its catalog. He also performed in several No Wave Cinema films among them, The Offenders (1980) by Scott B & Beth B and The Deadly Art of Survival by Charles Ahearn.

Recent Works

Media and New Media

In the early 1990s he started working in Media Art and New Media Art. Some of the pieces involve using a combination of photographs and text, often mimicking advertising. In May, 1994 his twenty billboard project for Creative Time, Hey Bozo... Use Mass Transit that received quite a bit of press. The work was seen on several newscasts such as Good Day New York, and the NBC Nightly News (nationally). It was written up in the NY Post, NY Daily News, The New York Times, etc. A telephone interview with the artist and a report on the project was distributed over the AP newswire.

Around the same time he began working with computers and the internet. One of the earliest internet artists, his first pieces, BKPC, Art Direct and Faux Conceptual Art, were written about in the art magazines Art in America (Robert Atkins, 1995 Art in America, December, "Art On Line" pp.63) and Art Press (Special Issue, Techno: Anatomy of electronic culture, 1998) France. He also hosted an internet radio/TV talk show called Art Dirt. The first of its kind, Art Dirt, is part of the Walker Art Center's Digital Studies Archives collection. Of his collaborative works with Peter Sinclair, the most well known are a Soapopera for Laptops/ iMacs, Shooter and Rant/ Rant Back/ Back Rant. Shooter, an immersive sound and laser installation was developed at Eyebeam Atelier as part of its Artist in Residence program.

External links

• G.H. Hovagimyan homepage
• narrative CV for G.H. Hovagimyan
• Peter Sinclair & G.H. Hovagimyan collaborative works
• N.Y. Underground
• Chant Accapella
• Dear Habermas
• Video, in Its Infancy, Had to Crawl Before It Could Walk by Roberta Smith
• Telcommunications for Artists by Christiane Paul
• Whitney Museum ArtPort: Resources
• Whitney Museum ArtPort: Net Art Exhibitions
• Hey Bozo...Use Mass Transit
• Biddington's interview
• Faces of the WWW Art World
• Art Dirt archives at the Walker Art Center
• Vernissage TV 4 part interview with G.H. Hovagimyan